This series explores the geometric principles of points, lines, and planes. Starting from the premise that "everything is connected," the artist metaphorically illustrates the process where points form lines and lines create planes through the arrangement of eggs. When each egg and image is defined as a point, they gather to form lines or extended connected shapes, eventually expanding into a plane. This abstract expression conveys interconnectedness and existential meaning through these fundamental artistic elements.

The blurred black and white images make it difficult to immediately perceive the relationships between objects, and the points of connection remain ambiguous, leaving it unclear whether the various elements are truly linked. Ultimately, these objects are related even without direct connection, and some images overlap as if they were a single entity. Through this, the work conveys the message that all experiences, whether intentional or not, are ultimately interconnected like points and that everything gathers together to form our very existence.



이 시리즈는 점, 선, 면이라는 기하학적 원리를 탐구한다. "모든 것은 연결되어 있다"는 생각에서 출발하여, 작가는 달걀을 배열하여 점이 선을 이루고 선이 면을 만드는 과정을 은유적으로 나타낸다. 각 달걀과 하나의 이미지를 점이라 칭할때, 이들이 모여 선 또는 연결된 긴 형태를 이루고 평면으로 확장된다. 이 추상적인 표현은 기본적인 예술적요소를 통해 상호 연결성과 존재적 의미를 전달한다.

흐릿한 흑백 이미지는 사물 간의 관계를 즉각적으로 파악하기 어렵게 만들고 연결 지점 또한 모호하여 여러 물체가 연결되어 있는지 아닌지 불분명해보인다. 결국, 이 오브제들은 직접적으로 연결이 되지 않아도 서로 연관되어 있으며, 일부 사진들은 하나의 물체처럼 겹쳐보이기도 한다. 이를 통해, 의도적이든 아니든 모든 경험(점)은 궁극적으로 서로 연결되어 있고, 모든 것들이 모여 함께 우리의 존재를 형성한다는 메세지를 이야기한다.

The egg, being symmetrical without a defined top or bottom, can appear differently oriented depending on one's perspective. For example, to perceive the egg as stable, one might expect the pointed end to be at the bottom, but from another viewpoint, the pointed end might appear more stable at the top. 

Thus, the interpretation of the photograph varies according to individual perspectives, resembling the artist’s perception of the boundary between stability and instability, where things without a clear top or bottom can feel stable or unstable depending on one's viewpoint.

What do you think about it?

When viewing artworks, I hope that observers escape the act of seeking the correct answer or the inherent appearance of the object and instead project their own perspectives onto the photograph.

part of part : Exploring Individuality Within the Collective Whole

This project originated from the idea that we are all integral components of nature, 
with each person being drawn to different parts compared to others.

[…] The participating artists do not treat categories long assumed to be distinct-life and death, inside and outside, relation and solitude-as fixed boundaries. Instead, they attend to points where differing conditions and temporalities come into contact: moments that linger before definition. In this exhibition, a "boundary" is not a line to be crossed but a state in which different directions temporarily coexist, and a "coordinate" is not a fixed. […]




Artists 
Chaeeun Kim  
Doy Kim 
Hongil Yoon  
Hyosun Kim
Jaine Hum 
Jiwon Jang 
Jooyeong Moon 
Kyungmin Nam 
Sohee Goo 
Youngsuk Oh  

Director 
Keenme Lee 

Curators 
Chaejin Kang 
Jinny Eo 
Rod Kim

the exhibition Five elements, inspired by the concept of the Five Elements in traditional East Asian philosophy, explaining the phenomena and transformations of the world and human life. Each element — Wood, Fire, Earth, Metal, and Water — carries distinct energies, yet interacts to create harmony. Similarly, the works of five artists from diverse backgrounds and artistic languages are connected in an organic flow, breathing together. Within this rhythm, we can feel the growth of Wood, the transformation of Fire, the harmony of Earth, the fruition of Metal, and the inclusiveness of Water, gently inviting us to reflect once again on the idea of balance and interconnectedness.

Perhaps, in this way, we too seem like different beings, but aren't we all connected as one?



Curator
Heeyoon Jung

Artist
Anyi Ji
Demi Danka
Hyunjee Kim
Ross Deeley
Sohee Goo

“O” is a multidisciplinary meditation on spheres, cycles, and the transience of natural forms.

More than a shape, "O" embodies paradox—fullness and emptiness, origin and dissolution, the cosmic and the intimate. "O" invites us to reflect on impermanence and our ephemeral place within nature’s eternal rhythms.



Sohee Goo 
Jose Cardenas
Yihan Pan